Enlarged with AI from a smaller original
Ornate lion head with roses, pen drawing
Fine line · Black and grey · Flash
A detailed pen drawing of a lion's head with a stippled, dotwork mane and a decorative panel of geometric, mechanical-looking patterns across the forehead and muzzle. Three roses sit beneath the head, with an ornamental spire rising above it. The image is in black fine-liner ink on cream paper, with a pen shown at the top right for scale.
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A story inspired by this tattoo · fiction
The lion came down from the clock tower the night the herring boats failed to come home, and nobody in Porthgarrow thought to stop it. It was built of iron plates and clockwork, its forehead stamped with the little wheels and keys the old smith had cut for it, and its mane was a fret of brass pins that chimed when it walked. Mothers pulled their children indoors. The lion did not look at them. It went straight to the quay and stood at the end of the mole with its face toward the open water.
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Hannah Tregear, who kept the chandlery and had sold the smith his lamp oil for thirty years, went down after it with a lantern. She found its eyes lit with a cold blue, like a flame in a lamp that has no wick. 'You want the boats back,' she said. The lion turned its head one notch, the way a clock hand jumps. Then it lowered its muzzle and breathed out a long hiss of salt air, and past the breakwater three lights came bobbing home through the fog.
The old women said it always took a price, and the price was paid in roses. Three grew at its feet by morning, white as bone and wet with spray. Where each rose had come up, a boat came in the next day with its crew aboard and its hull patched with a strip of brass, and nobody in the town could say who had done the patching.
Hannah never climbed the tower to thank it. She kept her lantern lit in the chandlery window instead, so the lion could see the way home. On nights when the fog came in thick, she heard the faint chime of its mane from the top of the hill, answering.
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