Enlarged with AI from a smaller original
Roses, heart and pocket watch across a back
Realism · Back · Colour · Photo
A woman's upper back carries a large colour tattoo combining pink roses on the left, an anatomical heart at the centre and a pocket watch with Roman numerals set in front of pale blue, translucent wings. Gears and a chain add a mechanical, steampunk touch, with the wings and heart rendered in soft shading and highlights. The design is centred across the shoulder blades and the composition follows the curve of the back.
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A story inspired by this tattoo · fiction
The moths find the long window at Ward Seven around ten past three, tapping at the glass as if they have an appointment with the lights. You have stopped trying to shoo them. The night porter swears they come in through the lift shaft, and you have never been able to prove him wrong. Your drug trolley squeaks past bed four, where Mr Pryce, who mended clocks for forty years before his chest gave out, is awake again and watching the ceiling.
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"Your clock's four minutes fast," he says, before you have said a word. He means the wall clock at the nurses' station, which you have always assumed was right. He holds out his pocket watch on its worn chain, the silver case scratched and softened by his thumb. "Wind it for me, would you? My fingers won't manage the crown." You do, and the mechanism ticks against your palm like something alive. Through the wall, the monitor in bay two keeps its own steady time, and for a minute you can't tell the two rhythms apart.
He sleeps again before four. You sit with the watch in your lap and read the engraving on its back, a date and a name you don't know, and you think about how many nights he must have sat up doing exactly this, steadying something small so it would keep going.
At six the sky greys over the car park. Mr Pryce wakes, squints at the watch you return to his hand, and smiles. "Right on the nose," he says, meaning the wall clock, now that it is finally in step. He doesn't ask you to change it back. Outside, the last moth gives up on the glass and drifts off towards the dawn.
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