Black and grey realism rose tattoos with swirling vines running down a person's back, from the shoulder blade to the waist.

Black and grey roses down the back

Realism · Back · Black and grey · Photo

Three shaded roses and a closed bud run down the spine, joined by curling vine lines and a swirl near the base. The roses use soft grey shading with stronger darks at the petal edges, and the vines are drawn in fine black line. The image is a close view of bare back, with the head cropped out and a pink strap and blue wrap at the edges of the frame.

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A story inspired by this tattoo · fiction

My father never let a rose open before its time. He said a bud left alone on the bush would only go to seed and sulk, so every June he went down the rows of the nursery behind the Co-op with his knife and his roll of raffia, pinching back the tight ones and tying the long canes to the wire. I was nine the summer I learned to do it myself, kneeling on a sack in the wet grass while Dad argued with the man from the seed merchant about blight.

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The grey ones were the ones he was proud of, though nobody in Brackley Wick would have called them grey in daylight. They turned pewter in the evening and the colour of wet slate after rain, and he had raised them from a cutting a sailor brought back from Lisbon wrapped in a tobacco tin. He would not say what they were called. A name would make them ordinary, he said. Mum kept a vase of them on the piano until the petals dropped like burnt paper.

The summer the vine got into the cellar wall, Dad found a bud at the top of the longest cane. It was closed tight, and however much I coaxed it with warm water and the lamp, it stayed shut. He said it was waiting for someone to ask properly. So on the last night of August I sat up with it on the back step, and when the church clock struck eleven I told it about the lorry that never came back, about Mum's cough, about the letter from the War Office she kept face down in the drawer.

By morning the bud had opened a finger's width, pale at the rim and dark at the heart, and the vines had wound twice around the wire post as if they had always meant to. Dad found me asleep on the sack with the knife still in my lap. He didn't mention the pruning. He cut one bloom, tucked it behind my ear, and went inside to tell Mum the grey ones were ready at last.

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