Enlarged with AI from a smaller original
Bull skull with roses and feathers
Mixed · Flash
A detailed black ink drawing of a longhorn bull skull, with an ornate filigree pattern across the forehead and feathers hanging from both sides. Red roses with soft red wash sit beside the skull, and the shading uses fine hatching and stippling in black. The design sits centrally on a pink gradient background.
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A story inspired by this tattoo · fiction
The longhorn had been dead three summers when Ada Crowley dragged it out of the wash below the Pelham place, its horns still hooked like a pair of question marks and the skull bleached so white it hurt to look at in the noon glare. Her brother Silas stood at the gate with his hat in his hands and told her it was bad luck to keep a dead thing's face on a living wall. She told him the face had been keeping itself fine out there without his help.
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She scraped it for a week with a borrowed knife and a jar of vinegar. Wasps had worn the brow into something close to lace, little holes and runnels where the bone had gone thin, and when she traced them with a awl she found they fell into curls, hearts, spirals, the same patterns her grandmother used to cut into tin lanterns for the church supper. She followed them with the point until the forehead looked like a gate someone had worked by lamplight. Hawk feathers came off the fence rail, one for each day the rain had held off, and she tied them to the cheekbones with sinew. Her mother's rosebush, the one nobody believed would survive the drought, gave her three red blooms the morning she needed them, and she pinned those to the jaw where the wind would tease them.
Silas came back from the railhead in October with a letter from the saloon owner in town. He wanted the skull for a sign above his door, offered forty dollars and a pair of boots. Ada read it twice, then folded it small and dropped it in the stove. That night the storm she had been waiting for came down off the mesa, and the skull hung on its nail above the table while the lamp guttered and the feathers shivered like they were trying to fly.
In the morning the rain had washed the roses to bruised pink and the petals lay stuck to the brow in drifts, so the lacework seemed to be bleeding. Ada stood in the doorway with coffee going cold in her hand and counted the feathers. All of them were still there. She went back in, found the awl, and set about tying the one that had come loose.
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