Enlarged with AI from a smaller original
Chinese zodiac characters flash sheet
Black and grey · Flash
The image shows a grid of twelve Chinese zodiac characters drawn in bold black brush-stroke calligraphy on a white background. Each character has a small English label beneath it naming the animal, including rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog and pig. The characters are evenly spaced in four rows of three, with solid black strokes and no shading or colour.
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A story inspired by this tattoo · fiction
The tiger came out crooked on the third board, and Ferris held it up to the lamp as though it had insulted him. "The brush has to hesitate before it commits," he said. "Not stop. Hesitate." Nell had been painting his signs since the autumn the cider press broke, and she knew better than to argue with wet ink.
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The commission was for the Plough and Harrow, twelve boards for the wall above the bar, one beast for each year of the cycle. A sailor who drank there had copied the characters off a ship's bell for Ferris years ago, and Ferris could copy anything he saw but could read none of it. Nell practised on old newspaper after supper, counting strokes under her breath. The rat had a fussy top. The dragon nearly finished her. She learned to lift off the brush at the right moment so the black would thin into the grain like smoke.
On the last evening the landlord, Pim Haskett, stood in the doorway with his thumbs in his waistcoat and asked which year it was meant to be, so he could tell the regulars the right beast was on the wall. Ferris went very still. Then he laughed, a dry wheeze that turned into a cough. He had copied the bell upside down for the rabbit and the snake, and nobody had noticed for thirty years because nobody in the village could read them either. "They're signs," he said. "They keep the wall looking like a wall."
Nell carried the pig board out to the yard in the last of the light, past the stacked ash logs from the wood at the edge of the village, and held it up against the hedge. The last stroke was still tacky. A single bead of ink slid down from it, slow as a snail, and sank into the grain of the board before she could wipe it.
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