A tattooist in gloves inks a fine black band tattoo wrapped around a finger, in a fine line style.

Fine line band tattoo on a finger

Fine line · Hand · Black and grey · Photo

A tattooist wearing gloves works with a machine on a person's finger, adding a thin dark line that wraps around it. A folded gauze pad holds the skin taut and wipes the area. The background is dark and out of focus, with a leather chair visible at the bottom of the frame.

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A story inspired by this tattoo · fiction

Ruth held her hand out across the cloakroom counter as if she were paying for a coat, and asked me to make her a ring that wouldn't come off in the dance. Her husband had gone off with the fairground lads to Scarborough and sent no word since August. I told her I was a cloakroom girl, not a jeweller. She said she didn't want gold. She wanted a line, thin as darning thread, that a man would have to look at twice.

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We went through to the back room behind the bandstand, where Frank kept the machine he'd bought off a sailor in Hull. He swore the ink was lamp black, and I believed him because it was the only thing in the room that didn't rattle. I wiped the skin with a folded square of gauze, pulled it taut with my thumb, and went round once, slow, the needle chattering like a sewing machine. Ruth didn't flinch. She counted the bars of the foxtrot under her breath, one two three, one two three, until the line closed on itself.

When I'd finished she turned her hand under the bulb and said it wasn't a ring if nobody could see it. I told her that was the trick of it. Folk would think it was a bit of ink from a bad night and leave her be, and she'd know otherwise every time she reached for her gloves.

Ruth went back up the stairs to the sound of the band, and on Saturday she danced with the bank manager's son as if she had never been wed. Scarborough never sent word. The line stayed, dark and narrow, and I still think of it whenever a stranger at my counter turns a hand over, looking for a ring that was never coming back.

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