Full back tattoo in a realist portrait style, showing a woman's face with gears, butterflies, a compass and a red fingerprint across the back.

Full back portrait with gears and compass

Realism · Back · Mixed · Photo

A full back tattoo shows a realistic portrait of a woman's face with a tear below one eye, framed by grey cogs and gears. Butterflies, a compass rose, a red fingerprint and scattered red splashes sit around the face, with fragments of script in the upper left. Black and grey shading gives the portrait depth, while red ink and splatter add colour across the lower back.

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A story inspired by this tattoo · fiction

Mrs Ada Pell had kept the clock tower at Lowmoor for thirty-one years, and in all that time she had never once let the wheels run down. So when the great escapement stopped at a quarter past three on a Tuesday, the town sent for Tobias Quill, who was thought to be the only man left in the county who could read a movement by its sound.

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Tobias climbed the iron ladder with a lantern and a tin of oil, and found the cause tucked behind the hour wheel: a folded letter, the paper gone the colour of weak tea, its ink bleeding in neat red splashes where someone had dropped wax. Only three words were legible before the damp took the rest. Great. Hush. Come. Beneath them, a fingerprint pressed in rust-coloured ink, its whorls as fine as the teeth of a cog.

He carried the letter down to the parlour, where Ada sat with her hands folded over the brass compass she used to set the tower's bearing. She didn't look at the paper. She looked at the window, where a single grey butterfly had been pressed flat against the glass for who knew how long. "My sister wrote that," she said. "Hush and come, every spring, when the moths came up the river. She always said the clock would tell me when to go."

Tobias turned the compass over. Inside the lid, scratched small, was a name he didn't know and a date sixty years gone. He wound the escapement back into motion before dusk, and the tower chimed the quarter as if nothing had happened. Ada never said what she did with the letter, only that the fingerprint had been her sister's, and that she had finally gone to find out where the river ended.

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