Ink drawing of a symmetrical mandala with layered petals and dotted detail, shown as a tattoo design on cream paper.

Enlarged with AI from a smaller original

Radial mandala design drawn in ink

Geometric · Black and grey · Flash

A circular mandala built from concentric rings of petal and lotus-like shapes, with a dense central medallion of radiating lines. The linework is fine and dark, with stippled dots filling several of the outer petals and a clean, even outline throughout. The design is centred on a cream sheet with a fine liner pen at the upper right edge, and the drawing has no shading beyond the line and dot work.

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A story inspired by this tattoo · fiction

Sit closer, the lot of you, and mind the wet on the stones. You want to know why Old Ailsa never went to the mainland fair? Because she was busy with the flower. Every dawn, before the gulls had their say, she knelt on the strand at Skerrin Gap with a crow's quill and a pot of soot ink boiled from the lamp, and she drew a ring of petals in the wet sand, then another inside it, then another, until the whole thing lay there like a lotus set down by careless hands.

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The sea left it alone for a while, the way it leaves a thing it respects. But the fishermen came down to look and trod on the petals, and the children pressed their fingers into the outer rings for a game, and by the time the herring were running the flower was half gone. Ailsa only shook her head. She said the dots were the important part. Each one was a boat that had gone out and come home, and the empty petals were for the boats still at sea, so the sea would know which ones to hold back.

Then one autumn night young Tam did not come round the point. Ailsa took the lamp down to the strand, though her knees complained all the way, and she drew the flower by its light. She began at the heart with its tight radiating lines and worked outward, counting the dots under her breath, one for every man aboard, four of them, and when she reached the last ring her hand shook so badly the ink ran off the nib in a thin black thread.

Near dawn the boat came grinding round the headland with its sail patched and Tam at the tiller. He walked up the beach, looked down at the drawing, and stepped carefully around every petal. Nobody on Skerrin has ever agreed whether it was the drawing or the counting that brought them home. Mind your feet on the way up, my dears, and if you ever launch from Skerrin, press a dot into the hull first, just for luck.

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