Three black and grey butterfly drawings stacked vertically on a white background, shown as tattoo flash designs with no body placement.

Enlarged with AI from a smaller original

Three black and grey butterfly designs

Realism · Black and grey · Flash

Three butterflies are drawn one above another on a plain white background, with the smallest at the top and the largest at the bottom. Each wing is rendered with fine outline work, veining and dark pattern spots, using soft grey shading on the bodies and wings. The image is entirely black and grey, with the butterflies centred and evenly spaced.

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A story inspired by this tattoo · fiction

The moths had got into the linen press again, so Ada spent the morning on her knees with a torch and a jar, lifting the stacked sheets one by one. Her grandmother's handwriting was on every label: Easter, Christening, Mrs Pryce's wedding. Nothing in the press had been used since the winter the greenhouse flooded.

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At the bottom of the drawer, under a tablecloth folded into a perfect square, she found a sketchbook with a cracked spine. The pages were thin as tissue and every one held a butterfly, drawn in pencil, each a little larger than the last. The smallest was pale and ghostly, nearly all veining. The middle one had white eyes punched into dark wings. The largest had dots along its hindwings, like someone had tapped a pen gently at the edge of the paper and let the ink spread.

She took the sketchbook out to the garden, where the buddleia had gone to seed and the bees had given up on it. The gate creaked the way it always had. Ada sat on the step and turned the pages slowly, trying to remember who had taught her to draw wings from the inside out, starting with the veins, because the colour would only sit where the lines told it to.

By noon she had filled the jar with nothing, and forgotten about the moths entirely. She tore the last sketch out, folded it twice, and tucked it into the pocket of her apron, where it would be safe from the press and from the damp.

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