Torn skin revealing metal machinery on a forearm
Realism · Forearm · Mixed · Photo
The tattoo shows torn skin peeling back to reveal metal mechanical parts, including a cylindrical component with rivets, a chain and a padlock lower down. The forms are rendered with smooth grey shading and highlights, giving a metallic, three-dimensional look. Red and orange tones along the torn edges add colour against the mostly grey machinery, and the piece runs down the length of the forearm.
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A story inspired by this tattoo · fiction
The boiler had been coughing since Hebden Bridge, a dry knock under the deck that Nell Tawney felt through her boots before she heard it. By the time the narrowboat Mercy Ann crept into the lock at Cromford, steam was hissing from a seam in the cylinder casing and her father was shouting for the padlock key from the towpath.
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The key hung on its nail in the cabin, where it always hung, beside the tin of rivets and the brass oil can shaped like a hare. Nell found it with a spanner clamped between her teeth, climbed back out through the hatch and knelt on the wet gunwale. The padlock on the engine hatch had rusted into a lump the colour of old liver, and the chain running from it to the stern rail sang when she pulled. Beneath her the copper pipes ticked as they cooled.
Her father had always said a barge kept its secrets under its skin. The old boats were built with their guts out in the open, he said, so a bargee could tell by touch and smell what was failing. Nell worked at the shackle until it gave with a crack like a knuckle, and the hatch lifted on a breath of hot oil and coal dust.
Inside, the cylinder gleamed in the lamplight, a split in its casing peeled back like a torn sleeve. She wound a strip of red leather from the cratch cover around the seam, cinched it tight with wire, and when the boiler found its rhythm again she laughed out loud. Her father leaned over the side of the lock and asked what was so funny. 'Nothing,' she called up. 'It's only holding.'
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