Black fine line lettering tattoo running vertically down the centre of a person's upper back, from the nape of the neck.

Vertical script tattoo down the spine

Lettering · Back · Black and grey · Photo

A photograph from behind of a person with dark hair tied up, showing a vertical line of black script tattoo down the centre of the upper back, starting at the nape of the neck. The lettering is thin, neat linework in a single dark ink with no shading. The skin is warm-toned and the plain light backdrop and white garment at the bottom keep the focus on the tattoo.

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A story inspired by this tattoo · fiction

Brother Anselm ruled the column in pencil before I ever touched the pen. One straight line down the vellum, no wider than my thumb, and he told me a copyist who strays from it will be sent to scrape the kitchen pots for a year. I was fourteen and had more ink on my knuckles than in the pot.

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The text was a letter from the sister house at Wenlow, four lines of blessing folded small so that it would fit the column without a single hyphen. Each word had to stand beneath the one before it. I learned to breathe out at the end of every stroke so my hand would not jerk, and to keep the nib wet without letting it blot. By the third week the column no longer looked like a crooked ladder to me. It looked like a single held breath.

On the last evening, with the lamp smoking, I reached the final word and found the vellum had run out a finger's width early. The calf it came from had been smaller than the brief required. I sat with the nib lifted for a long time. Then I wrote the last letter sideways, small, tucked into the space between the others, the way a man slips a coin into a sleeve.

Anselm read it at dawn and said nothing. He only folded the sheet down the middle so the words met themselves on the back, and handed it to the carter. Years later, when the carter's grandson brought the sheet back to be mended, the crooked letter was still there, and nobody at Wenlow could say which of us had put it in.

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