Black and grey tattoos of a human skull, an antelope skull, an animal skull and a bird skull, one on each finger of a clenched hand.

Enlarged with AI from a smaller original

Animal skulls across four fingers

Hand · Black and grey · Photo

A clenched hand shows four small skull tattoos, one on each finger: a human skull, a horned antelope skull, a small mammal skull and a bird skull. The outlines are bold and the bone areas are filled with solid black and grey shading. The photograph is black and white and framed close on the knuckles against a plain light surface.

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A story inspired by this tattoo · fiction

The fair packed up at Dunmore on a wet Tuesday, and you were the one sent to fetch the crate from Harkness's wagon before the canvas started to sag. Inside, the specimens lay in straw like eggs: a human skull with a chipped brow, a long-horned antelope skull from a dealer in Windhoek, a small mammal skull no bigger than a walnut, and a crow's head dried to the colour of stewed tea. He had warned you in your first week never to handle them bare-fingered, because bone keeps the memory of whoever holds it last.

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You ignored him, of course. That night, under the paraffin lamp in the caravan, you slid each one onto a finger of your left hand to see how they sat. The horns rested across your middle knuckle like a pair of ribbed oars, and the human skull grinned up from your little finger as if it had been waiting for the job. The room smelled of wet canvas and lamp oil. Outside, the generator coughed and went quiet.

Harkness found you at dawn, still wearing them. He didn't shout. He sat on the step of the wagon, lit his pipe, and said the skulls had never been his to sell. They belonged to a woman called Ada Pell, who had walked the fairs with a dog and a mirror and had left them behind the day she went into the Fens to find her brother.

When you reached the next town that evening, the crate was empty, and a crow's skull sat on your pillow with a single feather tucked through its eye socket.

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