Traditional style colour tattoo of a stylised flower with teal leaves and black swirls on the side of the torso, with close-up detail panels below.

Enlarged with AI from a smaller original

Colourful traditional flower with leaves on the side of the

Traditional · Ribs · Colour · Photo

A large stylised flower with layered purple, red, yellow and orange petals, each centred with a teal and black dotted core, sits among dark teal leaves. Black scrolls frame the top and sides, and bold black outlines define the shapes. The main photograph is joined by three close-up panels showing the saturated colour fills and smooth shading across the design.

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A story inspired by this tattoo · fiction

The fairground horse had lost its left ear to a damp winter in a shed at Westgate, and Ruth Pike had until Saturday to make it whole again. She stood on the trestle with a tin of rose madder in one hand and a size-two brush in the other, watching the lamp swing above the panel. Her mother was still downstairs, arguing with a council man about the parking, and Ruth was nineteen and meant to prove she could do more than dab petals.

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The rose on the rounder panel was the old design, the one painted on every gallery board along the front. Five petals layered like a dropped handful of ribbon, red bleeding into yellow at the edges, a violet slip between each. Her mother had taught her to lay the black outline first, quick and sure, then the fills, never going back over a stroke once the paint had taken. In the centre went the teal and the ring of dots, each one a small pressed bead, the kind of thing you could only do after a thousand tries.

Ruth's wrist turned on the fourth dot and the brush dragged a teal comet into the violet. She froze with the lamp humming. When Dolores climbed the ladder twenty minutes later, she didn't reach for a rag. She studied the smear, then took the brush from her daughter and placed a second dot beside it, so the mistake became a pair of eyes looking out from the middle of the bloom.

'Leave it,' she said. 'Nobody rides a horse looking at its ears.'

On Saturday the carousel turned under the pier lights, the restored horse rising and falling on its brass pole, and the rose on the panel went round with it, its centre dots watching the crowd, one of them slightly out of line.

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