Black and grey dotwork elephant tattoo with paisley and mandala ornament covering the calf.

Ornamental elephant on a calf

Dotwork · Calf · Black and grey · Photo

A large elephant head in profile fills the calf, with its trunk curling down and back around the lower leg. The outline is a fine, continuous black line, with the ornamental fill of paisley swirls, scalloped bands and circular motifs built up from stippled dots that shade the forehead and background. The tattoo is entirely black ink in shades of grey, and the design is centred on the leg against a plain white backdrop.

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A story inspired by this tattoo · fiction

The wells along the Tharra road had gone brackish the year the grey elephant walked in from the salt flats. Nobody sent for it. It came slowly, its head lower than a camel's, and stopped at the stone trough outside the caravanserai where the drovers water their mules. Its trunk was wrapped in the same paisley cloth the women use for funerals, tied with knots that turned round and round like the smoke over the cooking fires.

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The innkeeper's daughter, Mena, was twelve and not afraid of anything, so she asked it what it wanted. The elephant lowered its trunk into the trough and drew up nothing but a dry scatter of dust. Then it lifted the trunk and began to write in the sand with its tip, circles inside circles, dots spilling from them like seed. The drovers laughed until they saw that the pattern was a map of every well on the road, and that each well was marked with dots where water had once been.

Mena walked the road with it for nine days. At each dot the elephant stamped once, the ground gave a low groan, and a little water seeped up into the hollow, cold enough to hurt the teeth. By the tenth day the trough was full, and the sand around it was stippled grey with the marks of its feet.

When the caravans came back in autumn, they found the elephant gone and the cloth folded on the trough's edge. Mena kept it. She said the knots were the way to remember which well came first, and the drovers who still use the road tie their water-skins the same way, round and round, and never ask where the dots came from.

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