Pencil sketch of a phoenix in flight
Black and grey · Flash
A stylised phoenix rises with spread wings and a curled head crest, drawn in pencil on paper. The wings and tail are built from feather shapes, scrolls and hatched shading that creates depth. The image is black and grey with a plain light background and no body placement shown.
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A story inspired by this tattoo · fiction
The rain had come down on Carrick Lane market for nine days, and by the ninth the gutters ran brown with cabbage leaves. Ada Penrose kept a stall of second-hand pans at the far end, under a tarpaulin that sagged like a wet sail. On the morning the sky finally thinned, she heard a sound beneath the wagon that was not rain: a dry rattle, like paper being crumpled in a fist.
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She crouched and found a bird no bigger than a pigeon, its feathers the grey of old pencil, its wings folded wrong. Its crest curled forward like a question. It had come down in the night, she guessed, from the chimney stacks of the tanners' row, where every winter someone swore to see a fire that did not warm anything. Ada had no patience for such talk. She wrapped the bird in her apron and carried it to the tea urn, where old Mr Dunmow sold broth to anybody who could pay in buttons.
Dunmow looked at the bird for a long time. 'That one's been burnt before,' he said, 'and it came back smelling of rain.' He told her what his grandmother had told him: a phoenix does not rise because it is clever. It rises because it has nowhere else to put its weight. Ada asked how long it would take to fly. He shrugged. 'Till somebody stops waiting for it to die.'
She set it on the pan stall that afternoon, in the one dry corner, and went back to haggling over a copper kettle. When she looked round at dusk the bird was gone, and where it had sat lay a single long feather, black at the tip and warm to the touch. She kept it in the tin with her coins. Every year after, when the market flooded, she took it out, and the rain seemed to lose its nerve.
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