Black and grey realistic diamond tattoo on the inner forearm near the wrist, with a banner reading Faith above it.

Realistic diamond on a wrist

Realism · Forearm · Black and grey · Photo

A realistic black and grey tattoo of a cut diamond sits on the inner wrist and lower forearm, shown in profile with a cast shadow beneath it. The faceted facets are shaded with sharp contrast and soft highlights to suggest glassy depth. Above it, a shaded grey banner with the word Faith sits on a larger tattoo, and the dark background sharply frames the hand at the bottom of the photo. A small red-bordered inset in the lower right repeats the diamond.

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A story inspired by this tattoo · fiction

Mind the ruts, they're deeper than they look in the dark. The road runs straight for forty miles past Caddon Flats, and in summer the heat lifts off the tarmac and shivers like water that isn't there. A travelling jeweller called Ansel Ruddock came this way in the hot summer of 1952, with a tin of cut stones, a bad knee and a debt to a man in Port Halsey.

Keep reading

He stopped at a petrol shed where a board hung above the pump, painted with one word, FAITH, the letters bleached almost to nothing. Ansel sold his stones one at a time to pay for water and bread, until only one was left in the tin. It was a diamond the size of a sheep's eye, cut so true that it threw the sun back in grey shards, and no one at the shed had the money or the nerve to buy it.

A boy called Tobin Marl was walking to his aunt's farm that week and found Ansel sitting in the shade of a wrecked Austin, holding the stone out on his palm. Ansel said, "Carry this and the road will carry you." Tobin refused, then took it, surprised by how heavy such a small thing could be. At noon he set it down on the tarmac to see what it would do, and its shadow ran out ahead of it, darker than ink, reaching towards the horizon further than the stone had any right to.

Tobin left the stone where it lay and walked on without looking back. Ansel never made Port Halsey. If you drive out there at midday, you'll still see the shadow lying on the road, black and perfectly cut, with nothing at all in the middle of it. Slow down when you pass. That's the part you're meant to keep.

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