Black and grey tattoo of balance scales held by a hand, framed by leafy branches and berries on the upper arm, with fine dotwork accents.

Enlarged with AI from a smaller original

Scales and botanical branches on upper arm

Botanical · Upper arm · Black and grey · Photo

A hand holds a set of balance scales above a dotted circle, with a leafy branch curling up the left side and a second sprig with berries and a small flower sweeping across the lower area. A faceted gem sits near the bottom right, and a further branch rises along the right edge. The work uses fine ink linework with stippled shading and dotted guide lines, all in black and grey on smooth skin against a dark background.

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A story inspired by this tattoo · fiction

Now sit down, the lot of you, and stop fidgeting with those crisps. This is about Mrs Ada Pardoe, who kept the weighing-house at Fennick Cross when the brass scales in the market square were older than the church clock and twice as honest. Every Thursday she stood in her brown overall with the pans on their chain, and the hand that held them was steady as a bishop's. She weighed whatever came up the lane: wool, barley, the bitter little berries the hedge-folk brought down in autumn, and once a sack of coal that the coalman swore was a stone lighter than it looked.

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The coalman was Tom Vosper, who had a face like a wet Sunday. He leaned on the counter and pressed his thumb on the pan while Ada was busy with a customer. She said nothing about it. She simply lifted his sack onto the hook, tipped it out across the flagstones, and out tumbled a bundle of bramble and hawthorn, bound with twine and stuffed in the bottom to make up the weight. Half the market had stopped to watch by then. Tom went the colour of a boiled beetroot.

Ada didn't shout. She tied the green bundle to the other pan, poured the coal into the first, and let the scales settle. The leafy branches sank the coal clean out of the air. "Leaves carry more than you'd credit, Tom," she said, "when they're carrying a lie." Then she wiped the brass with her sleeve and called the next name.

Next Thursday there was a sprig of rowan laid on her counter, tied with red wool, and nobody ever learned who left it. Some evenings, if you walk past the old weighing-house with the window open, you can still hear the chain ring against the brass. The scales never once cared whose thumb was on them, and that, my dears, is the whole of the story.

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