Enlarged with AI from a smaller original
Shaded lion head on a forearm
Realism · Forearm · Black and grey · Photo
A lion's head with a full mane is tattooed on the outer forearm, facing the camera. The face and mane are built from soft grey shading and fine dark linework, giving depth to the fur and features. The tattoo is shown in black and grey against a light skin tone, with a brick paved ground and a dark top behind it.
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A story inspired by this tattoo · fiction
The lion was carved from a single length of elm, and for eleven years it looked out over the bow of the Constance Vane, its mane cut in long curling locks that the spray kept dark and glossy. Sailors touched its nose for luck before the first watch. Nobody aboard had ever seen it do anything but stare at the weather.
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The trouble started in the Cape Verde calms, where the sea lay flat as pewter for nine days and the casks ran low. Water was rationed to half a pint a man. Men sat in the shade of the sails and quarrelled over nothing. On the ninth morning the cook, Mercy Dunn, came up the forecastle ladder with a tin cup and said the lion's mane was wet. Every strand of it was beaded with dew, though the night had been clear as glass and no dew should have come.
She caught the drops in her cup all that day and gave the captain a mouthful at dusk. He drank it and said nothing. The next morning the men took turns at the figurehead with rags, wringing the mane into a bucket until there was a cupful for each of them, and then enough to fill the empty casks. Some said it was the old carver's blessing. Mercy said only that the lion had been looking west for eleven years, and it was time somebody let it drink.
When the trade wind came back, the mane was still damp, and the lion's grey wooden eyes were turned, for the first time, towards the land ahead.
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