Black and grey world map sleeve tattoo on an upper arm, with a compass rose near the shoulder and a sailing ship on the left.

World map and compass sleeve on upper arm

Upper arm · Black and grey · Photo

A large sleeve tattoo covers the upper arm with a shaded world map, including continental outlines, borders and a small sailing ship on the left side. A compass rose sits near the top of the arm close to the shoulder, drawn with soft grey shading. The image is a casual photo taken indoors with warm lighting, and the tattoo fills most of the frame.

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A story inspired by this tattoo · fiction

The compass needle would not settle at the top of the pass, so I stopped arguing with it and drew what the mountain actually did. Mr Hallam at the survey office in Kendal wanted the ridge shown straight, the way the ministry liked things, but a ridge is never straight, and I had climbed four thousand feet of scree to see it honestly.

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My brother Tom drew the ship in the margin of my first chart when we were boys. He had never seen the sea beyond Morecambe, yet he insisted every map needed a vessel going somewhere. I put one in the corner of this sheet out of habit, a three-masted thing with its sails full, and felt foolish until the wind came over the col and cracked the paper against my knee.

On the way down, a shepherd's lad with a wet dog met me at the cairn and asked whether I had found the road through. I told him the road was on the map. He laughed and said maps were for people who had never been lost on a hill. He pointed into the valley, where the mist lay like spilt milk, and said the path wound past a tarn with no name, and that old men up there called it the Dead Man's Looking Glass.

I wrote it in, the shape of the water and the path beside it. Then, in small pencil letters beneath the compass rose, I wrote Tom's name, and the lad asked who he was. I said he was the one who went to sea, and that I had never once been able to tell him where the water ended.

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