Black script tattoo reading Amor Vincit Omnia along the side ribs, shown in two photos side by side.

Amor Vincit Omnia script on the ribs

Lettering · Ribs · Black and grey · Photo

A diptych of two photographs showing the side of a torso with the Latin phrase Amor Vincit Omnia written in a black, cursive script across the ribs. The linework is smooth and even, with the letters sitting on a horizontal line and the lowercase strokes joined in a flowing hand. The skin is pale in the left photo and tanned in the right, and a black mesh bra strap is visible above the tattoo in both images.

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A story inspired by this tattoo · fiction

The abbot has set you to copy the same four words forty times before Compline, and the ink is already thickening in the horn pot. Brother Anselm says your hand is too quick, that a letter should be made the way a man climbs a hill, one step at a time and never in a rush to reach the top. So you slow the quill. The A rounds itself. The m rises and leans, and the tail of the r swings out over the line like a gate left open.

Keep reading

Outside the scriptorium the river Wend is high after a week of rain, and the lay sisters carry lamps down to the mill. You have heard that the novice Oda is to be sent south to the house at Carrow, where the bells are louder and nobody sings the same psalm twice. She came to you yesterday with a folded page and asked whether the phrase could be written small enough to fit inside the hollow of a reliquary lid. Love conquers all, she said, as if the words were a cure. You told her a scribe only copies what he is given.

On the last evening you find the page tucked under your own psalter, in her hand, the letters unpractised and cramped. Beneath it she has written, in the same ink, a name and a date you do not recognise. You fold the sheet twice and keep it. In the morning you tell the abbot the vellum was spoiled, and he gives you a fresh sheet without looking up from his accounts.

You set the quill to the top margin and write the phrase once more, joined and flowing, the way Oda wrote it when she thought no one was watching. It sits level on the line like a rope pulled taut between two posts. When the ink dries you can still smell the river on the parchment.

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