Enlarged with AI from a smaller original
Black tribal dragon on an upper arm
Upper arm · Black and grey · Photo
A bold black tribal dragon head and body sweep across the upper arm, with spiky, flowing linework and solid black fills. The design is in black ink only, with the tattoo's edges crisp against the skin. The photograph is taken close up, with the dragon filling most of the frame and a small part of another tattoo visible at the bottom edge.
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A story inspired by this tattoo · fiction
Mara Kettering had the gate half-lifted off its hinges when the lamps along Foundry Row began to go out, one by one, like someone walking down a street and shutting eyes. She was alone in the yard behind the iron works, with a pot of cooling pitch and the spines of a crest laid across the bench. The commission was for a widow on Calder Hill, due Friday, and the widow had never said what the gate was meant to guard.
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The drawing had come in the post, ink on tracing paper, with no name and no return address. Every line was a single stroke: a wing that doubled back on itself, spines curling off the body like thorns from a briar, and a head turned over its own shoulder as if it had heard footsteps behind it. Mara had forged a hundred gates in her time. None of them had ever looked back at her.
At midnight the forge sank to a red eye and something scraped against the yard door. She took the tongs and went out. The air smelled of wet coal and the river. Pinned to the timber was a sheet of paper in the same careful ink, and beneath the drawing someone had written one word: Finish.
She went back inside, built the fire up and worked until the windows greyed, folding black bars until the crest rose off the anvil in sharp, unbroken shapes. When the widow's man came at seven, the dragon lay across the bench with its head turned towards the street. He lifted it with one hand and frowned at the weight. Mara said nothing about the iron, which had been cold since four o'clock, and was still warm to the touch.
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