Traditional style tattoo on a calf showing a city skyline, a red bridge, a moon and two stars, with a quote on banners.

City skyline, red bridge and quote banners on a calf

Traditional · Calf · Mixed · Photo

The tattoo shows a black silhouetted city skyline with a red-framed bridge in the foreground, a pale moon and two small stars above. Three banners carry the quoted words in black script lettering. Bold black outlines sit alongside soft grey shading and a purple sky wash, with red accents on the bridge.

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A story inspired by this tattoo · fiction

The bridge bell rang at ten past two, which meant a boat, or a fool. Walter Pryce took his torch and his flask up the iron stairs to the tender's cabin and found neither. There was only a girl of about nineteen sitting on the bottom rung with a holdall between her knees, staring up at the lift span as if it owed her money.

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Nobody had asked for the bridge to go up since the coal barge was sold for scrap, and Walter told her so. She said she wasn't asking for a boat. She had a train at six from the station on the far bank, and she wanted to see the town from the middle of the river before she left it. Walter looked at the moon sitting low over the gasworks and the two stars that never seemed to move, and thought of his own daughter, who had gone south with a suitcase and a grudge.

He pulled the lever anyway. The counterweights groaned, the red girders rose with a sound like an organ being dragged up a hill, and the girl stood at the rail with the river black beneath her and the skyline laid out in silhouette, every chimney and crane where she had left it. She didn't cry. She counted the lit windows under her breath, and when she reached the end she said that it had been the last good thing about this part of town, then laughed at herself for saying it.

At five the span came down and the road hummed back to life. On the cabin desk Walter found a bus ticket and a page torn from a notebook, with one line written in careful joined capitals: THANK YOU FOR LETTING ME SEE IT. He pinned it above the kettle, where it still hangs, and he has raised the bridge for nobody since, except on nights when the moon is full enough to make him stop and look.

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