Leg portrait, script and bird tattoos on a bed
Realism · Calf · Black and grey · Photo
A person lies on a striped bed with one leg raised, showing a black and grey portrait of a face on the lower leg, a block of script across the thigh, and a winged bird design on the hip. The portrait is shaded with soft tonal gradients, while the script and wing design use finer, more defined linework. The image is warm in tone with the subject filling most of the frame and the face of the person not visible.
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A story inspired by this tattoo · fiction
The boat came in a day late, and Morag Hale was still wearing the wet rope across her shoulder when she climbed the shingle to the chapel on Skerry. The gulls were shouting over the roof. She did not stop to tie up the nets. Her brother had been gone three winters, and she had told the minister she would bring his name back up the hill before the herring came in.
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Her grandmother had sewn the verse onto a strip of sailcloth the year the first boat went down, black thread on cream, every line in the old speech so that the sea would not know what it said. Nobody on the island could read it now except Morag, who had learned it by mouth at the hearth. The tale said the gannets carried the drowned up past the cloud, one name per bird, but only if the name was spoken where the bird could hear it. Everyone else had stopped believing. Morag had not.
She walked out to the gannet rock at dusk with the cloth folded in her fist. The bird was already on the ledge, white head turned to the water, the way it had been every evening since the storm. She read the verse aloud, the whole of it, slowly, the way her grandmother had taught her, and when she reached her brother's name the gannet lifted and wheeled once above her and did not go up. It came down low over the swell and waited. Morag understood then that the sea had never been keeping him. The words had been. She opened her hand, let the cloth go, and watched the black thread spread and sink until the bird folded its wings and dropped after it.
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