Enlarged with AI from a smaller original
Metallic gold and silver temporary tattoos on hand and legs
Geometric · Hand · Colour · Photo
A woman's hand rests on her leg, with her feet visible at the bottom of the frame, all on a plain white background. Metallic gold and silver temporary tattoos in chevron, arrow, lattice and geometric band designs sit on the back of the hand, forearm, calf and ankle. The flat, even studio lighting shows the reflective foil finish clearly against the skin.
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A story inspired by this tattoo · fiction
Brother Anselm kept the beating stone in the cellar at Saint Oda's, where gold came up from the goldsmith at Hexham in thin bars and went out again as leaf so fine that a breath would lift it off the table. He had done this for forty years. When the abbot's nephew came down the steps one wet March asking for silver, Anselm pointed at the cupboard and said silver was cheaper but it dulled, and a house of God should not trust what dulled.
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The nephew wanted patterns for the new cloister screen. Anselm gave him what the old books gave: chevrons for the rafters, arrows for the paths that led the pilgrims in, and a lattice for the grille so the sisters could see out without being seen. Each shape was cut from card with a bone knife and pressed onto the leaf with a warm cloth. When the lay brothers who hauled stone from the quarry asked for something to keep them honest on the long road, Anselm pressed arrows onto their forearms, gold on one arm and silver on the other, and told them the arrows would point home.
That winter the river froze and the quarry road went white. The lads walked out in the dark, and the arrows caught the lantern light, so the men in the tower could follow them the whole way down the hill. The foil wore off with the rain by Lent, as Anselm had said it would, but by then every one of them knew the way back by heart.
The leaf that came off on the wash-trough ran gold down toward the mill, and the nephew, who had been wrong about silver, paid for the lot.
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