Peony flowers on a forearm
Botanical · Forearm · Black and grey · Photo
A forearm is shown raised near a pillow, with a dark grey top and a black lace strap visible at the shoulder. The tattoo has several large peony blooms and leaves drawn in fine black linework, with soft grey shading in the petals and foliage. The design runs from just below the elbow towards the wrist, and the hand rests at the top of the frame.
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A story inspired by this tattoo · fiction
The peonies at Coldharbour were older than the wall that held them, and when the frost came early in the spring of 1953, Ada Pell walked the rows at dusk with a paraffin lamp and counted the buds the way her mother had counted hens. Forty-one heavy heads, each one pressed shut like a fist. The village said the bushes had come from a nunnery that burned, and that they bloomed only for people who never asked them to. Ada did not believe that. She believed in cold frames and sacking.
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She wrapped them in old blankets from the church jumble and tied them with binder twine. Her brother Tom came up from the forge with a sack of ash and said it was daft, that the petals would blacken anyway. She told him to mind his own hedge. They argued until the lamp guttered, then sat on the wall and watched the lane, because the doctor's motorcar was bringing new medicine for their father and it was always late.
The car came at last, and Ada went down to meet it with her hands still smelling of wet hessian. When she came back up the path the moon had cleared the ridge, and the blankets were pale humps in the grass. Tom had lifted one corner. Underneath, a single bloom had opened, grey-white in the moonlight, its petals folded in ruffled rows like the inside of a shell, giving off a scent so sweet and cold that neither of them spoke.
They never learned who had told the frost to pass them by. Ada kept the bush, though. When the forge was sold she dug up the root, carried it to her new house in a biscuit tin wrapped in newspaper, and planted it where the sun reached first.
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