Fine line botanical tattoo of Queen Anne's lace flowers and leaves on the upper arm of a person wearing a dark scalloped top.

Enlarged with AI from a smaller original

Queen Anne's lace sprig on the upper arm

Fine line · Upper arm · Mixed · Photo

A slender stem of Queen Anne's lace runs diagonally down the upper arm, with two flat umbel flower heads and several feathery leaves. The linework is delicate and mostly black, with soft pinkish tones in the flower heads that add gentle contrast. The sprig is placed off-centre on the arm against plain skin, with the dark top and denim visible at the edge of the frame.

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A story inspired by this tattoo · fiction

Nell came back from the ditch behind Sheepwash Lane with her skirts soaked to the knee and an armful of hedgerow she had no business picking. Her grandmother took one look at the white umbels, flat as dinner plates, and sent her straight to the pillow. Honiton work did not wait on the weather.

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By noon the bobbins were clicking and the pins stood in the pricking like a row of soldiers. Each flower on the pattern was built from a hundred tiny picots, and the feathery leaves had to be fine enough to let the light through. By the third hour her forefinger had gone sore against the card, and a bead of red rose on the skin. She wiped it on her apron and kept going, because the Westcott order was owed by Friday and nobody in the cottage had money for a second cloth.

The bead dried in the cold and left a speck on the linen. Her grandmother found it at dusk and said nothing, only unpinned the length and turned it to the window. By morning the speck sat at the heart of one flower, a dark point in all that white, and the squire's wife, who had ordered plain sprays, paid double for it.

Nell never said where the colour came from, so the village invented its own reasons. Every June after, when the ditches frothed white along Sheepwash Lane, she walked the hedge with her grandmother's scissors and cut only the flowers with a dark mote at the centre. Her lace, she liked to say, was always paid for in a little blood, and she never once let a buyer see the wound.

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