Black and grey photograph of a bare back with arms raised overhead, showing a shaded rose and script tattoo on one upper arm and a small bird tattoo on the upper back.

Raised arms with rose and bird tattoos

Botanical · Upper arm · Black and grey · Photo

A monochrome, sepia-toned studio photograph of a person's bare back with both arms raised and hands clasped above the head, with the head out of frame. A shaded rose with lettering above it sits on the upper arm, and a bird design with fine linework and shading appears on the upper back. The dark background and soft directional lighting emphasise the muscles of the arms and back.

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A story inspired by this tattoo · fiction

Before the bells at Saint Ebba's, the ovens in Corran Lane had to be lit by hand, and the only thing in the village that woke earlier than the bread was the linnet in the cage above the proving shelf. Old Tobiah Crane kept it there for luck. When it began to sing in the grey hour, he knew it was time to riddle the grates and fetch the water from the well.

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The winter his hands went stiff, the work passed to his granddaughter Nell, who was twelve and not inclined to trust a bird. She lifted the cage down on the first morning and the linnet said nothing at all. The dough sagged in its tins. The flour smelled of damp sacks. Nell stood in the cold kitchen and understood that the bird had only ever answered to the old man's humming, so she fetched the one song he had hummed every morning of her life and sang it badly, with her breath smoking in the air.

The linnet lifted its head. It sang back, thin and certain, and the ovens caught on their own, one after another down the row. By sunrise the loaves stood golden on the sill. Nell opened the shutter to let the steam out and found a single rose petal pressed flat against the glass, the one her grandfather had cut from the bush by the back wall and carried in his waistcoat for a month. She left it there. The bread would not have risen without the song, and the song, she supposed, had always been his.

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