Small black Roman numerals IX III in a thin serif lettering style, tattooed on the back of the neck.

Roman numerals IX III on the neck

Lettering · Neck · Black and grey · Photo

A close view of the back of a person's neck, with their hair pulled up, showing the Roman numerals IX III in small black ink. The letters have thin, even strokes with serif details and are centred on the neck below the hairline. The image is in black and grey against a soft, dark background and a white top at the shoulders.

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A story inspired by this tattoo · fiction

Sit down, sit down, and mind the goat, she has opinions about shade. You want the road story? Then you'll have it the way my grandmother gave it to me, out loud, with the tea going round the pot.

Keep reading

Past the salt flats there was a milestone cut from grey rock, with nothing on it but two numerals, IX and III, the paint long gone. The drivers on the Kessel road called it the Nine-Three, though nobody agreed what it meant. A carter named Yusuf Abal swore it marked the place where the road forgot its own name. He drove that stretch for thirty years with a box of chalk on the seat, and each time he passed the stone he drew one more line on the wooden side of his cart, until the planks were grey with them.

His son Tariq grew up counting those lines and asked him, one evening at the well, why the stone had no other marks. Yusuf took the boy out to the rock and set a flat pebble on its top. The shadow crept over the sand, slow as a hand on a dial. When it touched the nine, he said, the sun was at its worst, and no sensible man kept walking. When it reached the three, the air would turn kind again.

Tariq sat in that shade every afternoon after that, and the drivers learned to stop there. Nobody needed a clock on the road after that, only a stone, a pebble, and patience. The chalk lines are still on the cart, though the cart has gone to firewood. The stone is still there, and so is the pebble, and the shadow still finds its way round to the three.

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