Traditional style colour tattoo of an owl perched on a branch, shown on the inner forearm.

Enlarged with AI from a smaller original

Traditional owl on a forearm

Traditional · Forearm · Colour · Photo

A large owl perches on a branch, with wide round eyes outlined in teal and orange, and a black head with orange and teal details. The bold black outlines and flat areas of orange, teal, green and brown are typical of American traditional tattooing. The owl fills most of the frame against a white paper towel background.

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A story inspired by this tattoo · fiction

The owl had been on the willow since before the lock was rebuilt, and Alf swore it was the same bird that had watched his father bring the Maudlin down the Trent in the wet spring of fifty-one. You are seventeen and cannot see the point of a bird that only comes out at dusk, so you say so, and he laughs with the tiller under one arm and tells you to keep the rope off the fender.

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The barge is slow. The river is slower. Each evening the light goes copper on the water and then grey, and the owl turns its head through a full half circle to look at you both with those wide orange eyes, as if it has been waiting for you to finish talking. Alf says it does not care for chatter. You say nothing for a whole lock after that, and the only sounds are the gate paddles and a dog barking far off on the towpath.

Near the bridge at Cromwell's Cut the water goes black and deep, and that is where you hear it: a low hoot from the branch, answered from the reeds. Alf goes still at the tiller. He says his father used to count the hoots to know how many miles were left to Newark. You count them now, one, two, three, and somewhere around seven you realise he has not been steering for a while, and the barge has drifted gently toward the willow, as if it too wants a look.

You bring her round with the pole. The owl does not move. When the lamps of the lock cottage come on, it lifts off without a sound, and the last thing you see is the pale underside of its wings going over the bank. Alf takes off his cap and puts it back on. Seven, he says. That's the number. You do not ask him what it means, because you already know he will tell you tomorrow, and that you will pretend not to care.

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