Enlarged with AI from a smaller original
Tribal phoenix with spread wings
Black and grey · Flash
A bold tribal-style phoenix drawn in solid black on a white background. Long, tapering flame-like feathers sweep outwards and downwards to form the wings, with a small stylised bird head at the centre. The composition is symmetrical and vertical, with no shading or colour.
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A story inspired by this tattoo · fiction
The abbot wants the wings to match, and nobody in the scriptorium will say so to his face, so the job falls to you. You have spent three weeks with a folded sheet of vellum and a pot of lampblack ink, learning that a feather drawn by the left hand must be answered by the right before the ink dries, or the whole bird leans like a drunk man on a stair.
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Brother Osric, who taught you the trick, used to say the trick was not in the hand at all. He pressed the wet page against the cold wall of the cloister so the damp drew the ink through, and he held his breath as if breathing might tip the balance. You never managed that. You drew with your eyes shut, then opened them and corrected the tips, the long tapering ends that flick out and downwards until they seem to fall through the margin.
On the last night before the feast the bell for compline rang twice by mistake, and you went down to the scriptorium with a single candle. The bird's head was still empty. You had left it for last, a small thing at the centre where the wings met, all the flame gathered into a beak no bigger than a barleycorn. You drew it with the finest quill in the house, and when you lifted the nib the two halves were exactly the same, black on white, and the candle had burned down to the wick.
In the morning the abbot held the sheet to the window and frowned at the head. 'It is looking down,' he said. You told him it was listening for the fire, which was not true, though it was the sort of thing Osric would have said. The abbot nodded slowly and let it stand. He never asked how the wings had come out even. You did not tell him that you had drawn them without once looking at the half you had already finished.
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