Enlarged with AI from a smaller original
Two reaching hands across the upper back
Realism · Back · Black and grey · Photo
The tattoo shows two hands, one from the left and one from the right, with fingers stretching towards a small gap at the centre. Fine shading builds up the knuckles, tendons and fingernails in soft grey tones with darker shadows. The bare back fills most of the frame, with the top of the head cropped out and a few small moles visible on the skin.
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A story inspired by this tattoo · fiction
The frost had got into the rhubarb again when Ansty Crane went down the garden with her lantern and found the back gate standing open. In the nettles beside the bean rows lay a boy of about nine, his hands pushed into the cold earth as if he meant to dig his way under the wall.
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She carried him to the kitchen and fed him broth from a horn spoon. His name was Piers, he said, and he had walked up from the salt marsh after his father drowned in the sluice. He stayed the winter. He mended the hurdles, pricked out the leeks, and asked the name of every seed packet on the shelf. In February he took to standing at the gate each dusk, looking south, one hand resting on the latch.
In March a carrier from Lynn came through with word that a sister had been found in the workhouse there. Ansty packed his bundle and wrapped the last of the seed potatoes in a cloth for him. At the gate they stood a yard apart. She lifted her hand towards his, and he lifted his towards hers, and the air between their fingertips stayed exactly as wide as it had been all winter, neither of them willing to close it and neither willing to pull away.
When she went out in April, the bean she had planted by the gate had climbed the post and thrown a tendril out over the gap, and the curl at its end hung just short of nothing. She left it there. Every year after, she let it grow.
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