Colourful watercolour-style balloons lifting a black and grey house tattoo on the calf.

Balloon-lifted house on a calf

Calf · Mixed · Photo

A bunch of rounded balloons in red, orange, pink, blue, purple and green rises from the top of the tattoo and carries a shaded black and grey house with a pitched roof. The balloons are built from soft, bleeding colour washes with splatter marks and drips, while the house uses fine tonal shading and crisp outlines. The design runs vertically down the calf, with the house sitting near the lower leg and the balloons filling the upper area against a dark background.

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A story inspired by this tattoo · fiction

Past the last of the salt flats, where the wind had been bottled by the grandmothers and sold back by the cartload, there lived a woman called Oma Sefrin who owned one house and no ground beneath it. The house had been her husband's, built of grey stone and slate, and when the ground cracked open the year the rivers went underground, it was the only thing that would rise. She tied it to the sky with eleven balloons she had dipped herself in the last of the madder and indigo, and the house went up slow as bread.

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The neighbours came to watch. A boy named Tallin climbed the old mast to shout advice, and a dye-seller named Hask sold them tea at the top of the hill for a copper a cup. Every morning the balloons wept colour onto the valley below, red running into blue, green bleeding off the edge of the world, and the people said the colours were the house's way of apologising for leaving. Sefrin never said otherwise. She hung her husband's apron from the chimney, and the wind pulled at it like a hand.

Seasons turned. The balloons thinned, and one by one the dye ran out of them until only purple held, then a single rose-coloured one. Tallin came up the mast with a knife and asked whether she wanted to come down. Sefrin said she had never been up, only out, and that the house could decide. So they waited, and on the first green morning the last balloon sighed and the house eased down onto a field of new grass, its shingles flecked with every colour the sky had kept.

Where the paint had dripped, seed came up in stripes, red and blue and green, and the valley grew the bright patchwork it still has. Children are told to step gently on the stripes, because the house is still down there, and it remembers the way up.

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