Colour tattoo of a comic-style kissing couple in red and black on the back of a hand, beside a printed comic panel reference.

Enlarged with AI from a smaller original

Comic-style kissing couple on the back of a hand

Hand · Colour · Photo

A hand with a tattoo of two comic-book characters kissing, a red-haired woman with closed eyes and a dark-haired man in profile, set within bold black outlines. The shading is smooth and the scene is coloured mainly in reds, pinks and skin tones, with a printed comic panel placed alongside as the reference. Dark nail polish and a little lettering on the fingers appear at the edges of the frame.

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Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

The page came back from the engraver with a coffee ring over one corner, and Norman Pyke held it up to the window of the Fleet Street office as if the stain might be talked out of existence. He had inked the kiss himself the night before, the girl's red curls spilling across two panels, her eyes shut, the man's profile leaning in like a question he already knew the answer to.

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The editor, Harold Ridley, tapped the speech balloon with a nicotine finger. 'Sugar,' he read. 'Who says sugar anymore?' Norman said the word had come from Dolly Marsh, who sang it at the dance halls in Deptford and laughed when the boys went red. Ridley said the readers would want a happier ending and a sweeter line, and that the lipstick was too bold for a Sunday paper.

Norman did not argue. He walked home along the Embankment with the page folded inside his coat and found Dolly at her kitchen table in Lambeth, pinning a hem. He showed her the panel. She studied the kiss for a long time, then took the scissors from her sewing tin and trimmed the stained corner away, cleanly, the way she cut thread.

'Keep the sugar,' she said. 'They can have the rest of the page. You'll draw me again on Thursday, and this time I'll keep my eyes open.' Norman pinned the small square above his drawing board, where the red hair and the closed lids stayed exactly as he had made them.

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