Decorative uppercase alphabet sheet
Lettering · Black and grey · Flash
The image shows the full uppercase alphabet from A to Z, set out in two rows of letters repeated twice on a cream background. The letterforms are heavy, ornate display capitals with pointed serifs, flared strokes and decorative contrast between thick and thin lines. The design is rendered in solid black ink with no colour and a tidy, evenly spaced layout.
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A story inspired by this tattoo · fiction
Mr Okonedo never let you touch the brush for the first month, only the chalk. "Capitals first," he said, tapping the pattern book with a nicotine-yellow finger. "Anyone can draw a lowercase. A capital has to stand up on its own in the rain." So you chalked A after A on the back wall of the workshop until your wrist ached, pointed serifs, the thick stroke swelling where the light would catch it, the thin hairline climbing back up to meet the top.
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By spring you could do the whole alphabet from memory, A to Z in two rows, and he'd pin your sheet beside his own to see which of you had drifted. Yours always drifted at the M. The middle strokes wanted to lean, and he told you a letter that leans is a letter that falls over in a gale, so you practised with a ruler until the legs stood square and the flared ends fanned out like the bell of a trumpet.
The commission came in June: a bakery on the front at Whitby, its name in gold leaf across the window. You painted it in one long session with the tide coming in under the pier, and when the last serif was done you stepped back into the street and saw nothing but the letters, every one of them holding its shape against the glare.
Mr Okonedo walked past that evening, read the sign with his lips moving, and stopped at the W. "That one's yours," he said. He didn't say it was good. He didn't need to.
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