Black single-line drawing of a dragonfly design with two pairs of looped wings, small dots at the body and a long curling tail on a plain white background.

Enlarged with AI from a smaller original

Dragonfly line drawing

Black and grey · Flash

The image shows a simple black line drawing of a dragonfly with two pairs of looped wings, a small dotted body and two thin antennae. The linework is a single even weight with no shading. The plain white background is the only other element, and the drawing is composed centrally with the tail sweeping down to the lower left.

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A story inspired by this tattoo · fiction

Brother Anselm had warned me the ink would not sit on the new vellum, and I had ignored him, as novices do. When the first stroke skated off and left a hair-thin tail trailing towards the corner of the page, I swore under my breath and reached for the pumice.

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Then I stopped. The line had a shape I had not planned. It swept down and to the left like a fishing cord dropped into still water, and I found I wanted something to answer it. I drew two long loops above, then two shorter ones below, the way the dragonflies over the millpond held themselves above the reeds in July. Four dots for a body. Two antennae, curling off as though listening.

Abbot Gerard passed the carrel at the end of Sext and stood behind me longer than was comfortable. He said nothing for a while. Then he asked whether the creature was meant as a prayer or a mistake. I said I had not decided. He tapped the page once with a knuckle, the way he tapped the table when a brother's accounts did not add up, and walked on down the cloister.

The pumice stayed on its nail that evening. In the morning I found the drawing propped against the lectern, a pinch of sand on one corner to keep it flat, and beneath it, in the Abbot's cramped hand, a single word: Keep. I kept it. The tail still points to the lower corner, as if the thing means to dip itself in the ink and rise with something new.

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