Enlarged with AI from a smaller original
Hummingbird line drawing
Fine line · Black and grey · Flash
The image shows a hummingbird in flight, drawn with a continuous black outline that forms the head, long beak, body and sweeping wing. The linework is uniform in weight and there is no shading, so the bird is defined entirely by its contour. The design is in black ink on a plain white background, with the wing crossing over the body to create a simple, open composition.
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A story inspired by this tattoo · fiction
The brush had to leave the board only once, and Mr Okonedo said that was the rule that mattered. I had been sign-writing in Whitstable for four years, lettering fishmongers and hire firms, but he wanted a hummingbird for the window of his tea room, painted without a lift. He had seen one like it on a scroll in a pawnbroker's on Harbour Street and could not stop thinking about it.
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I tried it four times on newspaper first. The beak came easily, a long needle of a line running off toward the tea urns, and the head curled round like a question. The trouble was the wing. It had to rise over the back, cross the body where the breast already was, then drop down past the tail, and every time my hand reached the crossing it wanted to stop and be careful. Careful made a blot. A blot made the whole bird look like it had been caught in a net.
On the fifth attempt I stopped thinking about the crossing and let the black paint carry me through it, the way the tide carries a boat past the harbour wall without asking the skipper's opinion. The stroke came out ragged at the wingtip and fine everywhere else. Mr Okonedo stood over it for a long time with his tea going cold.
"You left it open," he said. "Good. A thing that stops is finished, but a thing that keeps going is still flying." He paid me in cash and a tin of shortbread, and the bird is still in the window, the wingtip a little wild, the line running on past the glass as if it means to leave.
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