Black and grey tattoo of a feather that breaks into dots and flying birds, shaded realism on the upper back near the shoulder blade.

Enlarged with AI from a smaller original

Feather dissolving into birds on the upper back

Realism · Back · Black and grey · Photo

A large feather is shown in black and grey shading, with its lower edge breaking apart into small dots that turn into a trail of silhouetted birds drifting to the right. The feather has detailed barbs and soft grey gradients, while the birds are solid black shapes of varying size. The tattoo fills the centre of the frame across the upper back, with plain skin and a wooden edge visible in the background.

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A story inspired by this tattoo · fiction

Sit yourself down, you're letting the draught in. No, the chair by the window, the one that doesn't rock. There. Mind the kettle, it's still on the boil, and I'll not tell this twice.

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Forty winters back there was a man called Dorrie Pask who lodged in the front room at number nine, Gull Terrace, with a fiddle case and a cough that rattled the landing. He paid his rent in coins he'd counted twice. Every morning he walked down the shingle to the groyne and came back with feathers in his coat pockets. Grey ones, mostly, and one long black flight feather off a crow that he kept pressed in my Bible for a bookmark.

One February gale he came in soaked to the skin and wouldn't speak. He'd found a big feather lying on the sea wall, and when he lifted it, it came apart in his fingers. Not to dust, mind. To specks. The specks lifted off his palm and went out over the harbour as birds, small and dark as ink spilt on a page, a whole river of them bending to the east. I saw it from the scullery window with the dishcloth in my hand. You don't believe me. Nor did Dorrie, not till the morning after, when the feather lay on the wall again, whole as ever, and not a bird in the sky.

He left on the Tuesday with the fiddle and no bill settled. I found a feather under my door, grey and soft, and I've kept it in the tin above the stairs ever since. Go on, ask me. No, you can't have a look. Some things are only lent. Now give me that cup, and mind you don't go out past the groyne when the tide turns.

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