Black fine line botanical tattoo of a branch with flowers and leaves on the side of the ribs, with a hand resting on a white floral top.

Enlarged with AI from a smaller original

Fine line botanical branch on ribs

Fine line · Ribs · Black and grey · Photo

A fine line tattoo of a branch with open flowers, buds and leaves runs diagonally across the side of the ribcage. The linework is thin and even, with no shading, and the design is rendered in black and grey ink. A person's hand with dark nail polish rests on a pale top with a soft floral print against a bright, white background.

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A story inspired by this tattoo · fiction

Corin Vell had been ordered to draw the queen's garden before the frost took it, and by the third morning he had nothing but a page of smudges. The magnolia by the eastern wall had dropped its last petals in a single night, and the palace gardeners swore it would not flower again until the old king was buried. Corin went out anyway with a pen of iron-gall ink and a stool that wobbled on the gravel.

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He drew the branch the way his master had taught him, one line at a time, never going back to correct it. Thin strokes only, because the treasury paper bled, and a heavy line would drown the buds. The leaves came first, long and pointed, then the stalk bending like a question, then the flowers open like cupped hands. Nothing shaded, nothing filled. One bud he left half-closed, as if it had thought better of opening.

A scullery girl named Ysolde brought him bread and watched over his shoulder. She said the tree had been hers when she was small, and that her mother had pressed its petals between the pages of a psalter. Corin asked her what the blossoms smelled like. She tried, badly, and he drew what she described rather than what he could see.

When the queen came to inspect the sheet, she held it to the grey light and frowned at the open flowers, then at the one closed bud. 'This one has not finished,' she said. Corin told her that was the honest part. She had the drawing pinned above her bed, and that spring, when the real tree bloomed late and thin, she sent word that the picture had been drawn well enough to wake it.

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