Enlarged with AI from a smaller original
Flock of birds on the lower back
Back · Black and grey · Photo
The tattoo shows a loose flock of around seven small black birds in flight, arranged in a diagonal line across the lower back. Each bird is a solid silhouette with no interior linework or shading. The ink is black on skin with a neutral tone, and the composition sits above the waistband of white distressed denim shorts.
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A story inspired by this tattoo · fiction
Mind the gate, it sticks, and sit where the apple tree won't drip on your collar. Right. Now the birds. Seven of them went up off the wall at Hollin Farm the morning old Mrs Partridge was buried, and nobody on that lane has agreed since which one of them was her.
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Her boy Tomas stood in the wet grass with a rake he had forgotten how to hold, and he counted them as they lifted. One, two, three, four, five, six, seven. They went up slantwise over the orchard like washing pulled by a wind, nobody leading, nobody following, black as the stove iron against a sky the colour of skimmed milk. They did not look back at the barn. Birds never do.
Now, some folk say a flock holds its shape because every bird keeps one eye on its neighbour. A sensible notion for a Sunday. Tomas did not believe it. He believed they were keeping a tally, the way his mother kept the egg book in the pantry, and that one missing mark would be noticed by somebody. So he counted every dusk after that, from the wall, with his boots full of cold dew. Six came down most nights. Six, and then the sum was wrong.
Then one evening in October, when the frost had already got into the rhubarb, a seventh bird dropped onto the coping stone, shook itself like a wet dog, and sat there with the others pretending it had never been away. Tomas kept very still. He counted seven. He went in and left the gate off its latch, the way his mother always had, so that anything wanting home could find it.
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