Colour geometric tattoo on a forearm showing stacked moon phases framed by blue, pink and yellow triangles and diamonds.

Enlarged with AI from a smaller original

Geometric moon phases on a forearm

Geometric · Forearm · Colour · Photo

A vertical geometric design stacks eight moon phases in black between two blue panels filled with small pink, yellow and teal triangles. Thin dotted lines and diamond motifs run above and below the central panels, linking the composition along the arm. The tattoo uses crisp solid fills and clean outlines, with colour dominating the triangles and the black moon shapes providing contrast.

Geometric Forearm Moon phase Triangle Diamond Dot Circle Geometric pattern

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

The Wend Brothers' travelling show had lost its horses, its clowns and most of its canvas by the time the moon began to fail over Marrowby. Nobody in the town believed the tent would see another winter. Old Mother Quill, who mended the sails for the big top, said that was no reason to stop stitching. She kept a tin of coloured triangles cut from old sailcloth, pink and yellow and teal, and she worked them into the panels by lamplight every night.

Keep reading

Her apprentice Tobiah was twelve and had never been allowed near the moon panel. "A tent wants to be patterned like the sky," she told him, and handed him a needle. The moons were the hard part: eight black discs, new to full and back again, each one sewn in a single pass of tarred thread so it sat flat and dark against the blue. Tobiah got the waning ones wrong twice, and twice she unpicked them with her teeth.

The shadow man from the fairground came in October with a purse of silver and a bargain. He wanted one moon to hang above his own door, and in return the Wends could keep their pitch on the common. Mother Quill laughed and said the moon was not hers to sell. Tobiah, who had listened from the corner, waited until the old woman slept, then picked out the stitches of the central disc and sewed it back at the top of the pole, where the rain could not reach it.

By spring the crowds had come back. The pink triangles faded and the blue went green in the wet, but every night the moons turned in order up the middle of the canvas, and the shadow man's door stayed dark. Mother Quill said nothing about it. She only ran her thumb along the new stitches and told the boy the tent was sound.