Enlarged with AI from a smaller original
Hand holding a reflective sphere on upper arm
Realism · Upper arm · Black and grey · Photo
A hand rises from the bottom of the design and holds a large glossy sphere. The sphere reflects a curved interior with arched windows, a table, and a skeleton in a suit seated in a chair. The shading is smooth and detailed, with strong contrast in the reflections and soft gradients across the hand and sleeve. The composition fills the upper arm, with the sphere placed at the centre and the hand supporting it from below.
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A story inspired by this tattoo · fiction
Brother Anselm keeps the glass ball in the scriptorium window, and he tells every novice never to lift it from its cushion of grey felt. On your third week, when the light has gone low and the old man is at Vespers, you take it anyway. It is heavier than it looks and cold as well water, and it holds the whole room bent around its middle: the long oak desk, the arched window, the pale columns of the cloister bowing inward like the ribs of a boat.
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Then you see the chair. In the glass, someone sits at the desk where no one sits, a gentleman in a dark suit with one leg crossed over the other, his hands folded above an open psalter. You look up, and the chair is empty, only the ink pots and the lamp. You look down again, and he is there, skull turned towards you with the patience of a man who has been waiting for a train all afternoon.
Anselm returns with his lamp and does not scold. He glances at the sphere, then at you. "Put it back where it was," he says, not unkindly. "The abbot who had it blown said it was for watching the room, not for watching yourself." You ask who the gentleman is. Anselm shrugs and says the chair has been kept for a long time, and that you had better learn the hours, because the man in the glass has already noticed you.
You set the sphere back on its felt. Inside it, the gentleman lifts a cup that was not there a moment ago, and you find, without meaning to, that you have begun counting the bells with him.
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