La Vita e Bella in fine line script
Fine line · Black and grey · Flash
A handwritten script phrase, La Vita e Bella, is drawn in black on a plain white background. The thin, even monoline has looped capitals and connected letters, with no shading or fill. The lettering is centred with generous white space around it.
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A story inspired by this tattoo · fiction
The postcard arrived in Mrs Hollis's kitchen on a Tuesday, propped against the teapot where Dennis always left things he meant her to find. It had a fishing boat on the front and a stamp with the Queen's head slightly crooked, and on the back, in his square capitals that had never once learned to join, were four words he had copied out from a phrasebook. He had underlined the last one twice, the way he underlined the rent money he owed her.
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She had not seen him since the spring the lorry broke down outside Dover and he walked the last nine miles home rather than ring from a phone box he did not trust. That was thirty-one years ago. Her sister Pat swore she had seen him in a Lisbon market in the nineties, selling tiles, but Pat also swore the Dartford Crossing was haunted, so Irene kept the postcard in the biscuit tin with the buttons and the bus tickets and did not mention it to anyone.
She took it out again on Sunday, after the church bells had stopped and the street had gone quiet. She turned it over and read the words aloud to the empty kitchen, pronouncing them the way the phrasebook must have intended, all the vowels round and unhurried. Then she put the kettle on, found the good cups, and set a third one out on the tray, just in case the bus was early.
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