Black and grey dotwork mandala tattoo with petals and moon phases across the centre of a person's upper back.

Enlarged with AI from a smaller original

Mandala with moon phases across a back

Dotwork · Back · Black and grey · Photo

A large mandala tattoo covers the centre of the upper back, with a ring of pointed petals radiating outwards around a dotted border. The inner section contains a flower-like medallion and a row of circles showing moon phases, some shaded solid and some left as outlines. The work uses fine black linework, stippled dot shading and grey fills, and the design is centred symmetrically on the skin, with a bra strap and blurred background visible around the edges.

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A story inspired by this tattoo · fiction

Sit where the oven breathes on you, and mind the flour on the sill. Nobody in this town bakes until the moon has finished with the sky, so you'll hear me talk while the dough proves. My mother's mother had one rule: count the moon's faces while you knead, and the bread will never go wrong.

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There was a baker called Wenna Coyle who kept a starter in a crock by the chimney, and it would only rise when the moon was looking at it. Full moon, the dough swelled like a bellows. Waning, it sulked. New moon, it lay flat as a dropped apron. So she made her loaves by the phases, round ones for the full, thin curls for the crescent, and she wrote each night's shape in chalk on the proving board so the morning would know what the night had been.

One winter she stopped counting. She was tired, and the chalk smudged, and the rye came out of the oven split in no pattern at all. Her daughter climbed the ladder to the roof with a flour sieve and found the moon sitting on the chimney pot, pale and half-eaten like a crust somebody had left out. Wenna's daughter asked it what it wanted. The moon said only to be counted, not hurried, and to be let go slowly.

So Wenna went back to the chalk. Every dawn now, when the first door of the oven swings open, the last of the moon thins to a sliver over the rooftops and the light spreads out across the cooling racks in rings, petal after petal, the way it does on the rye. That's why the crust splits in a ring, love. Go on, take the heel. It's still warm, and the moon's had its share.

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