Matching crown and script tattoos on two wrists
Realism · Forearm · Black and grey · Photo
Two people hold hands, with a shaded black crown tattoo and a cursive script letter design on each inner forearm near the wrist. The crowns have detailed shading and fine highlights, while the script is drawn in thin, flowing black linework. The image is in black and grey, with a soft dark background and a warm skin tone.
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A story inspired by this tattoo · fiction
The lock at Thornbury has been jammed since Tuesday, and you are the only soul left on the towpath who knows how to coax its top gate with a crowbar and a mouthful of bad language. Your sister Nell has already taken the Marigold on to Stroudwater with a hold full of coal, and she has left you a folded letter wedged under the tiller pin. The paper smells of tar and peppermint. Its looping ink runs together like two swans who have agreed to share one pond.
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It is from Ottilie Harrow, who keeps the tea hut at Crown Wharf, and it says only that the fair crown has gone missing from the mast of the Lark. The boy who took it, she writes, is hiding in the reed beds below Frampton, and he has been sleeping with it under his coat like a stolen loaf. You know the boy. He once rowed a borrowed skiff through three locks at night just to prove a point to a heron.
You reach the reeds at dusk with the water going the colour of weak tea. He is sitting on an upturned bucket, the tin crown balanced on his knee, its little points catching the last of the light. He does not run. He only asks whether you think the lock will hold, and you tell him it will hold if somebody stands on the gate with enough weight to remind it what it is for.
By morning the gate swings wide and the Lark slides through with the crown back on her mast, polished with a rag and a spit. You tie up beside Nell's empty mooring and find she has left the kettle on the stove and a note on the tiller: the coal is sold, the letter is answered, and the water is high enough now for anyone who is brave enough to go down it.
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