Black and white photo of clasped hands with a musical staff and notes tattooed across one finger, placed on the hand.

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Musical staff tattoo across a finger

Fine line · Hand · Black and grey · Photo

Two hands are clasped together, with one finger carrying a tattoo of five horizontal staff lines and several musical notes. The linework is thin and dark, and the tattoo is shown in black and white, with no colour ink visible. The soft monochrome composition focuses attention on the finger and the interlaced hands.

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A story inspired by this tattoo · fiction

The ink had to go in before the Bay of Biscay, because after that the swell would make any steady hand a rumour. Ellen Marr sat on an upturned coal sack under the foredeck lamp while Tomas Greave held his finger out as though it belonged to somebody else. Five lines, she told him. He laughed and said a finger had four sides, so the staff would have to wrap round it like bandage.

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She had copied the hymn from memory, the one her father played on Sundays about boats coming home. She set the notes in order along the finger: the low ones near the knuckle, the high ones at the tip, where the skin was thinnest and the needle bit hardest. Tomas did not flinch. He hummed the tune through the pain, always a half-beat behind the notes she was pricking out, and she kept telling him to hold still while she tried not to smile.

The Halvard docked at Valparaíso three weeks later. Tomas went ashore with a sack of tobacco and a finger that would not stop stinging, and he did not write, because neither of them had ever been any good at letters. Ellen finished the cargo manifests alone in her cabin, listening to the hull creak through the same key the hymn had been sung in.

Years afterwards, in a chapel above the Mersey, she heard the organ start those boats-coming-home notes one tone too high. A man in the third pew sang them anyway, a half-beat behind, his hands clasped in front of him as if he was holding something that might spill.

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