Black ink drawing of a tattoo design showing a bird with flowing swirl ornament and fine line detail, drawn on cream paper with no body placement shown.

Enlarged with AI from a smaller original

Ornamental bird design in ink linework

Fine line · Black and grey · Flash

A black ink drawing of a stylised bird, seen in profile with a rosette on its head and a curved wing, surrounded by flowing swirls and small dots. The linework uses fine, varied lines for feather and wing texture, with spiral shading in the wing and body. The design is drawn in black ink on cream paper and fills a roughly central square composition with open space around it.

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A story inspired by this tattoo · fiction

You'll want to sit down for this, because the telling takes longer than the thing itself. Frank Oakes was a joiner on Tanner Street, and in the winter of fifty-two he had more offcuts of pear wood than sense. His Win had died in the October, and he couldn't bring himself to sweep up the curls she used to scold him for leaving on the lino. So he made a bird from them, not a proper one, just something to keep his hands busy while the kettle went cold.

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He cut the wing with a fine gouge, and where the grain ran wrong he didn't fight it. He let the lines go round and round in little spirals, the way the shavings had curled off the plane, and the wood took the lamplight like it was wet. For the head he used the brass button off Win's good camel coat, the one with the rose stamped on it, and he set it just above the beak so the bird looked as if it had been listening to someone at the back of a room. Then he sat it on the sill of the front window, and that's where the trouble started.

People came by to look. Mrs Pell wanted it for her granddaughter. The Harkness lad offered sixpence, then a shilling he'd borrowed off his mother. Frank told every one of them the same thing, that it wasn't finished, and it wasn't. Each morning he'd find a new dot of rain on the glass beside it, and he'd leave them where they fell. When the spring wind came in from the west the bird turned a fraction on its base, always toward the bakery, and nobody on Tanner Street ever could say whether Frank had fixed it that way or the wood had simply decided.

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