Enlarged with AI from a smaller original
Pine forest sleeve on a forearm
Realism · Forearm · Black and grey · Photo
A forearm is covered with a forest scene of tall pine trees in black and grey ink. The darkest, most solid trees sit at the wrist and lower forearm, while the upper trees fade into soft grey wash, creating a misty depth. The background is bare skin, and the image is shown against a dark shirt and khaki trousers.
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A story inspired by this tattoo · fiction
The pines came up on the spoil heap the summer after the colliery shut, when nobody in Hollin Bank had the heart to dig them out. Your father said it was a daft thing to plant on slag, that nothing would take root in what the pit had left behind, and he went on saying it for years after the trees had reached the top of the tip and begun dropping needles onto the allotments below.
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In November the mist came up off the valley and sat between the trunks so that the summit vanished altogether. You walked the dog up the old tramway with a flask in your coat pocket and listened for the winding engine that had not turned since you were nine. Sometimes you thought you heard it, a low knocking somewhere under the roots, and you stopped and waited, and it was only a woodpigeon or water working through the cinders.
Then the council arrived with their survey pegs and their talk of levelling the heap for housing. Your mother, who had scrubbed the pithead baths as a girl, climbed up with a tin of paraffin and a box of matches. She did not strike them. She sat on the wall beside you instead and named the men who used to walk to the cage in the dark, one by one, until the light went off the valley.
In spring the pegs had rusted into the bank and the survey was forgotten. The pines stood darker than ever, their lowest branches bent over the road like the hands of people leaning in to speak. If you stand at the foot of the heap long enough, the ground under your boots is still faintly warm, and the mist comes up to meet the trees as if it has somewhere to be.
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