Black and grey realism sleeve tattoo on an upper arm showing a pocket watch, a sailing ship in rough sea with a tentacle, and a dotwork mandala.

Enlarged with AI from a smaller original

Pocket watch, ship and mandala sleeve

Realism · Shoulder · Black and grey · Photo

A black and grey sleeve tattoo shows a pocket watch near the shoulder, a sailing ship in stormy water with a tentacle rising beside it, and a dotwork mandala flower lower down the arm. The clock and ship are rendered with smooth, detailed shading and strong contrast, while the mandala is built from stippled dots. The arm is photographed from the side against a plain white wall, with the tattoo filling most of the frame.

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

Brother Anselm stopped the bell rope with one hand and held up the other, because the boys always listened better when they could see the fingers. "Sit. The clock in the refectory is wrong again, so you shall have the sea instead of the hour."

Keep reading

Eighty years ago a wool ship called the Saint Ysolde left Bristol with a clockmaker's son aboard, a lad named Tobiah Frane who had been sent to sea because he could not stop taking things apart. He carried a pocket watch his father had built, its face worn smooth by his thumb. Off the Scilly rocks a storm came up out of the west, and the water went black as a cellar. The men swore that something rose beside the hull that night, a grey arm the length of a mast, feeling along the planking like a man searching for a dropped coin.

Tobiah did not pray. He opened the watch, lifted out the balance wheel, and tied the hairspring to the rail with a strip torn from his own shirt. The ship went quiet in the swell. The creature, which had been counting on the rolling to do its work, lost interest and sank back under the foam. Dawn came grey and small, and the watch had stopped at four minutes past three. It never ran again, though Tobiah carried it until he was an old man keeping accounts in a Lisbon chandlery.

The abbot used to say the monster was never the point. What mattered was a boy who knew that a moving thing could be made to stand still long enough to be safe. Now bed, all of you, and mind the candles. Above the refectory door, the old clock still shows four minutes past three, and nobody here has ever dared to wind it.

More like this

From the plentytattoo archive, uploaded by a user. Is this your work? Ask for credit or removal.