221B tattoo on the inner forearm
Lettering · Forearm · Black and grey · Photo
A close photograph of the number 221 followed by a smaller raised letter B, set in a black serif typeface on the inner forearm near the wrist. The lines are solid and even with soft edges, and the ink appears uniform. The shot is tightly framed on the tattoo, with a red blurred background at the top right and the skin lit softly from the front.
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A story inspired by this tattoo · fiction
The door had come off its hinges twice that winter, and the landlady wanted the number repainted before the lodgers started complaining to the post. I was sixteen, apprenticed to old Ambrose Quill on the Marylebone Road, and he sent me with a pot of black enamel, a rule, and a strict instruction to keep my tongue still while I worked.
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The brass plate was already tarnished, so I painted the figures straight onto the wood beside the knocker. Two, two, one. Ambrose had taught me that serifs were a matter of nerve, and I had plenty that morning because a gentleman in a dressing gown was watching from the upstairs window and calling down advice about my spacing. When I reached the last figure I found I had left no room. The panel ended a finger's width short, and the number was not complete without its letter.
So I cut the B small and set it high, raised like a tail on a kite, so it sat over the 1 rather than beside it. The gentleman laughed and said it was the most sensible thing anyone had done with that door in a decade, then went back to his violin before I could tell him I had only run out of wood.
Ambrose inspected it that afternoon with his spectacles pushed up. He said nothing for a long while, then nodded once and said the letter had a little swagger, and that a number was a sort of promise, and promises were allowed a flourish so long as they were kept. I have walked past that door a hundred times since. The B still sits high and proud, and I still think of the man with the violin, who never once asked me my name.
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