Black ink drawing of an abstract swirling symbol with a spiral top and curled tail on a white background, captioned Hakuna Matata in serif type.

Enlarged with AI from a smaller original

Black swirl symbol with Hakuna Matata caption

Black and grey · Flash

A bold black symbol made of a spiral at the top, a looping central curve and a hooked tail at the base, drawn as a single continuous line of even weight. The printed caption Hakuna Matata sits beneath it in a classic serif font. The plain white background and single-colour black linework give it a clean, graphic composition.

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A story inspired by this tattoo · fiction

Dennis never let me touch the gold leaf until I could draw a full stop without lifting the brush. He held a sheet of cartridge paper up to the workshop window above the chip shop in Walsall and said the trick was to settle the whole line before the first hair touched the board. I spent a winter on loops. Spirals came last, because a spiral that closes wrong looks like a snail that has given up on the rest of the day.

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The bakery on Bridge Street wanted a sign for its new shopfront and a symbol to sit beneath the name. Mrs Adeyemi, who ran the place, had a tin lid her mother kept on a shelf, and she wanted something like its mark, only less like a lid. Dennis drew it in one pass while the kettle boiled: a curl at the crown, a fat loop that folded back on itself, and a tail that hooked away at the bottom like someone who had remembered a question at the door.

Mrs Adeyemi asked what it meant. Dennis said it meant the bread would be ready when you got there, which was true, and that nobody needed to hurry, which was not something he believed. She laughed, paid in cash and put a loaf in a paper bag that tore at the corner. Dennis told me afterwards the shape had come off a tea towel in a motel in Kimberley, a town he had never seen, and that he had carried it around for thirty years waiting for a reason to use it.

The sign went up on a Monday. I painted the name myself, the letters in cream with a black edge, and when I came to the symbol I did it in one breath, the way he taught me. At the hook I felt the brush want to stop, so I let it keep going, on and off the board in a single stroke. From the pavement it looked like something that had always been there.

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